The GT-1 Preset Patch List can be found within the GT-1 Parameter Guide / Sound List on Pages 27 -28.
Preset Patch List
| Patch # | Patch Name | Explanation | GENRE1 | GENRE2 |
|---|---|---|---|---|
| P01 | HI GAIN STACK | The powerful and fat sound of a high-gain amp stack. Ideal for backing or riffs. | HARD ROCK | ROCK |
| P02 | TERA ECHO LEAD | A sound that takes advantage of the TERA ECHO’s distinctive reverberation, and is perfect for long notes. | ROCK | HARD ROCK |
| P03 | NATURAL CLEAN | An all-around sound usable for everything from solos to rhythm. With a broad range and good sustain from the high frequencies to the low frequencies. | STUDIO | POPS |
| P04 | POWER METAL RIFF | A metal sound with powerful ultra-low range. | METAL/CORE | HARD ROCK |
| P05 | HARMONY LD in Am | Sustaining harmony tone, ideal for fusion solos. | STUDIO | HARD ROCK |
| P06 | ROUND & ROUND | Combines a slow-attacking crunch sound with a rotary effect. | STUDIO | POPS |
| P07 | FDR BLUES CRUNCH | A straightforward crunch sound. | BLUES | ALTERNATIVE |
| P08 | SYNC TREMOLO | The sound of a stereo tremolo effect whose depth changes. | ALTERNATIVE | STUDIO |
| P09 | ADD TRANSPARENCY | Clear crunch sound that combines the A-DIST crunch and clean. | ROCK | STUDIO |
| P10 | ORNG ROOMY LEAD | Coarse distortion that combines TREBLE BOOSTER and ORNG RV. | HARD ROCK | ALTERNATIVE |
| P11 | AC SIM STRAIGHT | An uncolored acoustic simulator. | ACOUSTIC | STUDIO |
| P12 | ROYAL LEAD | British lead tone of the ‘70s and ‘80s. | HARD ROCK | ALTERNATIVE |
| P13 | SUPER SLOW GEAR | A beautiful pad-type sound that uses Slow Gear. | STUDIO | POPS |
| P14 | SLAPBACK ECHO | ‘50s-style crunch and echo sound. | COUNTRY | TRADITIONAL |
| P15 | A-DIST &OVERTONE | A lead sound that emphasizes the overtones of the high frequency region. | ROCK | ALTERNATIVE |
| P16 | FAT BLUESY LEAD | A fat lead sound that uses A-DIST as a booster, suitable for single-coil pickups. | BLUES | TRADITIONAL |
| P17 | DIVID ORGAN TONE | Organ sound. | ROCK | STUDIO |
| P18 | STACK CRUNCH | Switch between stack crunch sounds with different gain for backing and solo. | HARD ROCK | ROCK |
| P19 | VAN FLANGE | The flanger sound of ‘80s hard rock. | HARD ROCK | METAL/CORE |
| P20 | SPACY LEAD | Lead tone with good sustain in clear reverberation. | STUDIO | ALTERNATIVE |
| P21 | 1959 CRUNCH | Crunch sound based on MS1959. | ROCK | ALTERNATIVE |
| P22 | MID BOOST COMBO | The crunch sound of a mid-boosted combo amp. | ROCK | TRADITIONAL |
| P23 | CRUNCH 4 RHYTHM | Crunch sound for funky rock. Suitable for use with the rear single coil pickup. | ROCK | ALTERNATIVE |
| P24 | ROTARY | Rotary crunch sound. | ROCK | ALTERNATIVE |
| P25 | 1969 XPERIENCE | Psychedelic rock sound of the 1969 Woodstock festival. Intense distortion produced using fuzz. | ROCK | HARD ROCK |
| P26 | CREAMY SET | A bluesy sound of the late ‘60s that combines MS1959 with FUZZ. | ROCK | TRADITIONAL |
| P27 | DEEP DELAY & VIB | A sound with deep delay and vibrato. | ROCK | STUDIO |
| P28 | ROBINS BRIDGE | A stack preamp and the UNI-V, added REVERB and TERA ECHO create a typical ‘70s Trower sound. | ROCK | HARD ROCK |
| P29 | RIPPIN’ | Fantasy-like sound with deep delay. | ROCK | HARD ROCK |
| P30 | OCTAFUZZ LEAD | A fuzz sound with a unique character. Also useable even if the volume of your guitar is lowered. | ROCK | TRADITIONAL |
| P31 | 60s FUZZ LEGEND | Reproduces the combination of a late ‘60s fuzz and distorted amp. | ROCK | TRADITIONAL |
| P32 | 5th PS & GATE | ‘80s-type sound that combines a pitch a perfect fifth above with gated reverb. | ROCK | STUDIO |
| P33 | ROADS | Sound with delay applied, ideal for leads in ‘70s rock. | ROCK | HARD ROCK |
| P34 | SLOW GEAR LEAD | A smooth lead sound using Slow Gear. Also effective on sound-effect phrases. | ROCK | ALTERNATIVE |
| P35 | POWER DRIVE | A straightforward and powerful drive sound that lets the character of the guitar come through. | ALTERNATIVE | HARD ROCK |
| P36 | AMBIENT DIRTY OD | Drive sound with added room ambience. | ALTERNATIVE | ROCK |
| P37 | MATCH CRUNCH | Crunch sound ideal for use with the rear single coil pickup. | ALTERNATIVE | TRADITIONAL |
| P38 | ORNG CRUNCH | The crunch sound of a UK stack amp. | ALTERNATIVE | R&B |
| P39 | STEREO STACK | A sound with chorus applied to a high-gain amp for stereo placement, suitable for riffing. | ALTERNATIVE | STUDIO |
| P40 | LA TR RIFF | A pulsating tremolo sound. | ALTERNATIVE | ROCK |
| P41 | COMBO AC | A drive sound that does not impair chords. | ALTERNATIVE | ROCK |
| P42 | TWIN CRUNCH | Crunch sound from a Twin Reverb. | BLUES | TRADITIONAL |
| P43 | SLIDE FOR LP | Ideal sound for playing slide guitar with humbucking pickups. | BLUES | LATIN |
| P44 | BASIC BLUES | Crunch sound with compressor, ideal for blues or classic rock. | BLUES | LATIN |
| P45 | KING OF BLUES | A sound that’s ideal for blues leads. | BLUES | OLDIES |
| P46 | FINGER LEAD | Fat sound that still remains sensitive to the nuances of your touch. Ideal for bluesy fusion. | BLUES | R&B |
| P47 | BLUES BUDDY | Crunch lead sound for blues. The [CTL1] switch switches to a rhythm sound. | BLUES | OLDIES |
| P48 | SQUEEZE BLUES GT | A bluesy sound with ambience included. | BLUES | OLDIES |
| P49 | BARK TONE | ‘70s rock sound with phaser. The [CTL1] switch makes the sound between lead and rhythm. | HARD ROCK | METAL/CORE |
| P50 | 70s US HARD ROCK | A retro hard rock sound from the ‘70s. | HARD ROCK | ROCK |
| P51 | BROWN SND For ST | For ST Use a Strat to reproduce the hard rock sound of the late ‘70s. Transforms the sound of a single-coil pickup to a humbucking pickup sound. | HARD ROCK | ROCK |
| P52 | 1984 DRIVEN’ | Drive sound reminiscent of ‘80s hard rock. | HARD ROCK | ROCK |
| P53 | OD-1 + STACK | A sound using an OD-1 placed before the distortion, suitable for hard rock. Step on the [CTL1] switch to apply phaser. | HARD ROCK | POPS |
| P54 | GREAT ROCK | A hard rock tone used in the ‘80s and ‘90s. | HARD ROCK | ROCK |
| P55 | BGNR LEAD | Lead sound using BGNR, suitable for humbucking pickups. | METAL/CORE | HARD ROCK |
| P56 | MODERN METAL | An extremely heavy metal sound, usable for anything from rhythm to lead. | METAL/CORE | ALTERNATIVE |
| P57 | CHORUS LEAD | Metal sound with chorus applied. Usable for either backing or lead. | METAL/CORE | HARD ROCK |
| P58 | R-FIER LEAD | Hard distortion sound, ideal for metal riffs. The [CTL1] switch switches to a lead sound. | METAL/CORE | TRADITIONAL |
| P59 | METAL MONEY | The metal sound of the ‘90s. | METAL/CORE | HARD ROCK |
| P60 | METAL CORN | An ideal sound for heavy metal riffing. Using the [CTL1] switch increases the volume and applies chorus. | METAL/CORE | HARD ROCK |
| P61 | DRAGON METAL | Ideal modern metal sound for humbucking pickups. | METAL/CORE | HARD ROCK |
| P62 | BLADE METAL | An extremely sharp metal tone. | METAL/CORE | HARD ROCK |
| P63 | TRIPLE DEEP DLY | Deep effect with DELAY and TERA ECHO. | STUDIO | POPS |
| P64 | METAMORPHOSIS GT | Uses OVERTONE to produce an organ-like sound. | STUDIO | ALTERNATIVE |
| P65 | DIAMOND ECHO | A crunch sound with echo. | STUDIO | LATIN |
| P66 | TREMOLO MOD DELAY | Combination of MOD DELAY and TREMOLO. | STUDIO | POPS |
| P67 | MULTI DIMENSION | Multiple effects are turned on simultaneously. Provides a mix of the direct and processed sounds. | STUDIO | R&B |
| P68 | YOU TWO | Simply play chords to obtain a bouncy sound. | STUDIO | ACOU |
| P69 | MELLOW FELLOW | A spacious clean sound. | STUDIO | POPS |
| P70 | 80s STUDIO LEAD | A chorused sound with sustain, suitable for lead. | STUDIO | HARD ROCK |
| P71 | SUPER CLEAN | Transparently clean sound. Ideal for arpeggios or chording. | STUDIO | POPS |
| P72 | SUPER MODULATE | Clean sound with modulation applied. Also effective when used in the intro. | STUDIO | TRADITIONAL |
| P73 | SLICED UP | Created with a drastic TREMOLO effect setting, this patch utilizes a Slicer Effect. The FUZZ overdrive helps "cut through." | STUDIO | ALTERNATIVE |
| P74 | DEEP CS StCHORUS | A rich sound that uses a combination of several modulation-type effects. | STUDIO | POPS |
| P75 | WALL OF FUZZTONE | Chorus is used to create a wall of fuzz sound. | STUDIO | ALTERNATIVE |
| P76 | NY LEAD MODULATE | A lead sound with a strongly modulated flanger. Also usable for cool jazz fusion. | STUDIO | JAZZ/FUSION |
| P77 | LEZLY HEAVEN | Use the CTL1 switch to switch the rotational speed. | STUDIO | LATIN |
| P78 | NOISY DUB | Extreme noise sound in combination with some effects. | SOUL/FUNK | DISCO |
| P79 | TIGHT CRUNCH | A tight combo crunch sound. | SOUL/FUNK | DISCO |
| P80 | 70s FUNKY CLEAN | Clean sound suitable for simple strumming. | SOUL/FUNK | DISCO |
| P81 | FLAGEOLETTO | A super clean sound with compression that is driven through regular delay and TERA ECHO. An unusual reverb is created the cames the guitar sound ver "far." | SOUL/FUNK | STUDIO |
| P82 | TERA FUNK | A clean sound with compressor added. | SOUL/FUNK | STUDIO |
| P83 | FUNKY GROOVE | A sound suitable for funky strumming. | SOUL/FUNK | DISCO |
| P84 | TERA REV & COMP | Combines a TERA ECHO set to a spring reverb type with compressed and clean sound. | JAZZ/FUSION | STUDIO |
| P85 | FUSION 335 | A lead tone of ‘70s fusion. The [CTL1] switch boosts the gain and volume. | JAZZ/FUSION | LATIN |
| P86 | 80s JAZZ FUSION | A fusion lead tone using stereo chorus. | JAZZ/FUSION | POPS |
| P87 | MILD JAZZ | Stomp [CTL1] switch to add DELAY for a mild jazz tone. | JAZZ/FUSION | R&B |
| P88 | JAZZ FIELD | An aggressive jazz tone. The [CTL1] switch switches to a sound for soloing. | JAZZ/FUSION | OLDIES |
| P89 | JAZZ SIMULATOR | Lets you get the sound of a hollow body guitar from a solid-body guitar. | JAZZ/FUSION | POPS |
| P90 | CLEAN SUSTAIN | A clean sound with good sustain. The [CTL1] switch switches to a stack crunch sound. | JAZZ/FUSION | LATIN |
| P91 | COMP CRUNCH LEAD | A lead sound suitable for jazz fusion. | JAZZ/FUSION | LATIN |
| P92 | FULLRTN DRIVE | Light American crunch sound of the late ‘50s. | COUNTRY | OLDIES |
| P93 | UNMATCHED COMBO | The sound of a fat and extremely clean combo amp. | COUNTRY | OLDIES |
| P94 | COUNTRY PICKIN’ | A classic country rock sound. | COUNTRY | R&B |
| P95 | TWEED CLEAN | Use the [CTL1] switch to switch between a tweed amp’s clean tone and a mid-boost lead tone. | COUNTRY | OLDIES |
| P96 | ClnTWIN SOUTHERN | Clean sound that’s great for country rock riffs. | COUNTRY | OLDIES |
| P97 | SAFARI USA | Tremolo sound suitable for the surf music of the ‘60s. | OLDIES | TRADITIONAL |
| P98 | MELLOW LEAD | Bluesy sound with warm overdrive. | OLDIES | TRADITIONAL |
| P99 | RETRO TREMOLO | Nice fluctuation with TREMOLO. | DISCO | OLDIES |